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Repertoire list template plus#

All-State adjudicators are responsible for evaluating every All-State solo of the same instrument or voice part. The All-State selection “process” begins with the solo being evaluated by a NYSSMA Certified All-State adjudicator at one of these designated sites.

Last year, 43 All-State audition sites were scheduled in schools throughout the state. These zones represent geographic areas within the state and also take into account the student populations within these zones. New York State is divided into 15 regional zones by NYSSMA. Last spring, over 6,500 sophomores and juniors from across the state of New York prepared for All-State evaluations in the hope of being selected. The All-State experience begins with a music educator, his or her student and an accompanist spending countless hours preparing a NYSSMA Level VI solo which must be selected from repertoire lists in the current manual. This article outlines the “process” used by our organization in selecting students for participation in the NYSSMA All-State performance groups. How does NYSSMA select these students? This seems like a simple question however the answer is complex.

An accompanist will be provided.NYSSMA CONFERENCE ALL-STATE: “THE PROCESS”Įach year in late August approximately 900 students are notified that they are selected to participate in the NYSSMA Conference All-State music groups. You will perform your pieces with piano at your audition.

You will begin with a piece of your choice which should be in English, Italian, French or German.

One Italian piece may be replaced by Spanish or Latin-American repertoire, or by a piece sung in the Latin language.

One German piece may be replaced by Slavic or Scandinavian repertoire.

One selection in each language will be heard.

Selections must include at least one, but no more than two, operatic arias.

Perform eight selections in contrasting musical styles, two in each of the following languages: English, Italian, French, and German. Your application will not be considered if you have not completed the audition, writing sample, and interview. Please divide each section into different languages, if applicable. List all the repertoire you have performed: opera roles, opera scenes, songs, vocal chamber music, oratorio solos, and musical theater roles. Please bring three copies of your repertoire list to this interview. (or earlier if there are many applicants).Īfter this, you will have a 20-minute interview with a panel from the Voice faculty. On Friday afternoon, you will be scheduled for a 30-minute exercise designed to assess how you express yourself in writing. You must plan to be in Bloomington by noon on the Friday before your Saturday audition. If you are invited, you will be scheduled for one of the following audition dates and will receive your schedule by email 3-4 weeks prior to your audition: Select applicants will be invited to a live audition and interview based on prescreening review. An accompanist will be provided for all live auditions. in vocal performance.Īll graduate voice auditions will be performed with piano. Applicants must perform at a technical and artistic level equal to that of individuals who have completed an M.M. The voice department considers the P.D.S.P.

Repertoire list template plus#

applicants audition repertoire requirements are the same as the prescreening, plus two more selections of your choice, both of which may be (but aren’t required to be) arias. applicants audition repertoire requirements are the same as the prescreening. Internal auditions for current JSOM graduate students will take place on Sat. Please see information regarding Musical Theatre auditions. applicants who wish to audition for an Outside Field in Musical Theatre must also audition for the Musical Theatre program. On this form, please indicate your prepared repertoire and return the form to the Voice Department ( 48 hours prior to your audition day.ī.S.O.F.

You will receive an audition profile form via email from personnel in the Voice Department approximately 7-10 days prior to their scheduled audition. You may include pieces submitted as part of the prescreening or offer different repertoire, provided that you observe the requirements listed above. An accompanist will be provided for all live auditions.Īll selections must be sung by memory, even if the piece is something that might be done holding the score in performance. One song in a language other than English.Select applicants will be invited to a live audition based on prescreening review. Policy on Rights of Ownership and Use of Recordings.